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July 30, 2010, 02:59:56 AM
News: Welcome to Large Sound 3.0 -- The forums! Let me know if you see anything odd or wrong. Thanks!   -Brock (frazier@largesound.com)

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Author Topic: a little bit more history  (Read 175 times)
Newbie
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Posts: 1
Back in 1985 I attended the Barbican Guitar Exhibition in London - this all came flooding back to me when I was looking for information on Bass Ukuleles last week - one link that came up was the info on this site about Kala Bass Ukes.

When I was at the show in 1985, I happened to be talking to Alun Ashworth-Jones about pickups when Nigel Thornbory brought out a rather strange piece of rough sanded pine with bits of rubber attached... The public debut of the Ashbory bass. As I recall my instant response was amusement but, like those around me, I was curious to see what happened when you plugged it in...

Amazing - it sounded just like a double bass! It wasn't long before Chris Martin came round to the stand but in the meantime I had cornered Nigel on the subject of "Are you building them to sell? When? How much?" and the answers were a bit indefinite! I think we agreed on the sum of £99 for a passive model and I paid him a deposit .

I also recall it was some months before it arrived - but eventually it did - I unpacked it, there were a few spare strings and the bass. I noted some distinct construction differences - the fret markers were actually inlaid strips of a lighter wood, it was lacquered and everything!  - I played it quite a lot and showed it to all my friends - every body agreed it made an amazing sound and was virtually unplayable!

Eventually it ended up on my wall and then up to the attic - from where I dragged it down  again this very day.

So, I bring you what is almost certainly the first Ashbory bass ever ordered from Nigel 







   

Sr. Member
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Posts: 370
That's awesome! Many thanks for posting this!

I have multiple observations on this one. I'll number them:
1. Notice the odd strap button positioning on this (compared to the DeArmond and Guild models). The button on the back of the headstock doesn't seem like so bad of an idea.
2. The tuners do not have slots in the spindles (posts). Here's an old instruction sheet describing how to use these tuners:
http://www.largesound.com/ashborydoc/preguild/instructionsheet/ (thanks again to Mike)
3. The Guild models also came with a rectangular bridge cover, though it is far thinner, made of plastic and mounts to the bridge, not the body. The wood bridge also looks somewhat like the old plastic Guild one, though the mount is different and the body doesn't have a string cavity on the front.
4. The string retainer on the headstock looks similar to this one on the Ashbory drawing from the Alun Ashworth-Jones Ashbory Bass patent:
http://www.largesound.com/ashborydoc/patent/us4750397/img/p2-100.gif

It's pretty easy to see how this evolved into the Guild models.

Great post!


-Brock


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A to the S to the H to the B - O - R - Y!
   
Newbie
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Posts: 5
WOW that's Beautiful. I love my BORY.
   
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